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LIGHTS OUT KOPPLE SERIES
Impacts: Critical Reception and Ongoing Influences.” After whetting one’s cinematic appetite on the foreword by renowned educator/author Bill Nichols, the introduction by series co-editor Jeff Jaeckle starts the main course of the volume’s discourse. Technique: Interviews, Music, Funding and Fiction Filmmaking” and “III. Historical Contexts and Cultural Commentary,” “II. The book is divided into three sections: “I.
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With more endnotes than you can shake several PhDs at, there is no doubt that this is a scholarly endeavor, and it should be a welcome addition to the bookshelves of film schools, film scholars and film aficionados alike.
LIGHTS OUT KOPPLE CRACK
With over a dozen contributors weighing in on Kopple’s methodologies, influences and history, not to mention the history of documentary film itself, this volume has something for everyone this may be what the publisher is driving at when it states that “ ReFocus brings these American film directors to a new audience of scholars and general readers of both American and Film Studies.” Yes, the writing style of a few chapters can be somewhat convoluted and stilted, but one does not crack open a book such as this with expectations of a page-turning summer read. It is a welcome surprise that she has been included in this pantheon of directors-documentarians being not unfamiliar with laboring in relative anonymity-and it is cause to celebrate whenever one is delivered into the light of analysis and evaluation. I must confess a relative ignorance of at least three of those directors.Īs most readers of Documentary are aware, Kopple is perhaps best known for Harlan County USA (1976) and American Dream (1990), both of which earned Academy Awards for Best Feature-Length Documentary. ReFocus: The American Directors Series, from Edinburgh University Press, has an admirable mission statement: “The series ignores no director who created a historical space-either in or out of the studio system-beginning from the origins of American cinema and up to the present.” This may seem like a tall order, but not ignoring does not necessarily guarantee that a lesser-known director will be given representation on the printed (or digital) page thus far, seven directors have been included this series: Budd Boetticher, William Castle, Delmer Daves, Amy Heckerling, Barbara Kopple, Kelly Reichardt and Preston Sturges.